janama saphala tā’ra, kṛṣṇa daraśana yā’ra
জনম সফল তাঽর, ক্ড়্ষ্ণ দরশন যাঽর,
ভাগ্যে হইয়াছে একবার
বিকশিয়া হ্ড়্ন্নয়ন, করিঽ ক্ড়্ষ্ণদরশন,
ছাḓএ জীব চিত্তের বিকার ১
janama saphala tā’ra, kṛṣṇa daraśana yā’ra,
bhāgye ha·iyāche ekabāra
bikaśiyā hṛnnayana, kari’ kṛṣṇa-daraśana,
chāḓe jība cittera bikāra 1
janama — birth; saphala — successful; tā’ra — his; kṛṣṇa — Śrī Kṛṣṇa; daraśana — beholds, has audience; yā’ra — of he who; bhāgye — by good fortune; ha·iyāche — happends; ekabāra — one + time; bikaśiyā — having opened, widened; hṛnnayana — of the heart + eyes; kari’ — having [connected with darśan]; kṛṣṇa — Śrī Kṛṣṇa; daraśana — beheld; chāḓe — abandons; jība — the living entity; cittera — of conscinousness, mind, heart; bikāra — derangement, perversion, deviation from the natural state
That person's birth is successful if, by good fortune, he has Kṛṣṇa's darśana just once. By seeing Kṛṣṇa with the opened eyes of the heart, the jīva abandons all perversions of consciousness.
ব্ড়্ন্দাবনকেলিচতুর বনমালী
ত্রিভঙ্গভঙ্গিম রূপ, বংশীধারী অপরূপ,
রসময়নিধি গুণশালী ২
bṛndābana-kelicatura banamālī
tribhaṅga-bhaṅgima rūpa, baṁśīdhārī aparūpa,
rasamayanidhi guṇaśālī 2
bṛndābana — in Vṛndāvana; kelicatura — in amorous enjoyment + expert; banamālī — A name for Kṛṣṇa who is bedecked with garlands of forest flowers; tribhaṅga — curved in three places; bhaṅgima — shape, form, figure, posture; rūpa — form, beauty; baṁśīdhārī — He who holds the vaṁśī flute; aparūpa — unparalleled; rasamayanidhi — made of nectar + an ocean; guṇaśālī — good qualities + posessing
Bedecked with garlands of forest flowers, He [Kṛṣṇa] expertly engages in amorous enjoyment in Vṛndāvana. Standing in His threefold bending form and holding His flute, He displays unparalleled beauty. He is an ocean of nectarean mellows and a reservoir of all good qualities.
বর্ণ নবজলধর, শিরে শিখিপিচ্ছবর,
অলকা তিলক শোভা পায়
পরিধানে পীতবাস, বদনে মধুর হাস,
হেন রূপ জগত মাতায় ৩
barṇa nabajaladhara, śire śikhipicchabara,
alakā tilaka śobhā pāya
paridhāne pītabāsa, badane madhura hāsa,
hena rūpa jagata mātāya 3
barṇa — complexion; nabajaladhara — fresh + rain cloud; śire — on the head; śikhipicchabara — peacock + feather + great; alakā tilaka — painting on the face with sandal-paste; śobhā pāya — looks beautiful, present beautifully; paridhāne — He wears; pītabāsa — yellow + garment; badane — on his lips; madhura — sweet; hāsa — smile; hena — such; rūpa — beauty; jagata — the world; mātāya — He maddens
His bodily complexion is the color of a fresh rain cloud, He wears a great peacock feather on His head, and His forehead is beautifully decorated with marks of sandalwood paste. Wearing yellow garments and smiling sweetly, He maddens the whole world with His beauty.
ইন্দ্রনীল জিনিঽ, ক্ড়্ষ্ণরূপখানি,
হেরিয়া কদম্বমূলে
মন উচাটন, না চলে চরণ,
সংসার গেলাম ভুলে ৪
indranīla jini’, kṛṣṇarūpakhāni,
heriyā kadambamūle
mana ucāṭana, nā cale caraṇa,
saṁsāra gelāma bhule 4
indranīla — blue sapphire; jini’ — defeating; kṛṣṇarūpakhāni — of Kṛṣṇa + form + [used as the article ‘the’]; heriyā — seeing; kadambamūle — a kadamba tree + at the foot, base; mana — the mind; ucāṭana — unsteady; nā — not; cale — moves; caraṇa — the feet; saṁsāra — material existence; gelāma bhule — I have forgotten
When I see that form of Kṛṣṇa, whose beauty defeats the dark blue indranīla jewel (sapphire), standing under a kadamba tree, my mind becomes unsteady. My feet cannot move, and I forget my material existence.
(সখি হে) সুধাময়, সে রূপমাধুরী
দেখিলে নয়ন, হয় অচেতন,
ঝরে প্রেমময় বারি ৫
(sakhi he) sudhāmaya, se rūpamādhurī
dekhile nayana, haya acetana,
jhare premamaya bāri 5
(sakhi he) — O friend; sudhāmaya — full of nectar; se — that; rūpamādhurī — form + sweet; dekhile — if it beholds; nayana — the eyes; haya — [one] becomes; acetana — unconscious; jhare — flows; premamaya — made of love; bāri — water (tears)
O sakhī! His sweet form is full of nectar. If the eyes behold that form, one falls unconscious and tears of love stream from them.
কিবা চূḓআ শিরে, কিবা বংশী করে,
কিবা সে ত্রিভঙ্গঠাম
চরণকমলে, অমিয়া উছলে,
তাহাতে নূপুরদাম ৬
kibā cūḓā śire, kibā baṁśī kare,
kibā se tribhaṅga-ṭhāma
caraṇakamale, amiyā uchale,
tāhāte nūpuradāma 6
kibā — how wonderful; śire — on the head; kibā — how wonderful; baṁśī — the vaṁśī flute; kare — in the hands; kibā — how wonderful; se — that; tribhaṅga — curved in three places; ṭhāma — shape, form, figure, posture; caraṇakamale — from the lotus feet; amiyā — nectar; uchale — overflows; tāhāte — on that; nūpuradāma — of ankle bells + a string
How wonderful is the peacock-feather crown on His head! How wonderful is the flute in His hands! How wonderful is His three-fold bending form! His lotus feet overflow with nectar and are bound with ankle bells.
সদা আশা করিঽ, ভ্ড়্ঙ্গরূপ ধরিঽ,
চরণকমলে স্থান
অনায়াসে পাই, ক্ড়্ষ্ণগুণ গাই,
আর না ভজিব আন ৭
sadā āśā kari’, bhṛṅgarūpa dhari’,
caraṇakamale sthāna
anāyāse pāi, kṛṣṇaguṇa gāi,
āra nā bhajiba āna 7
sadā — always; āśā kari’ — desiring; bhṛṅgarūpa — the form of a bee; dhari’ — assuming; caraṇakamale — at the lotus feet; sthāna — a place; anāyāse — readily; pāi — I get; kṛṣṇaguṇa — Kṛṣṇa’s glories; gāi — I sing; āra — and; nā — not; bhajiba — I shall worship; āna — other
I always desire to take the form of a bee and attain shelter at His lotus feet. I shall readily sing of Kṛṣṇa’s glories and never worship any other.